![]() ![]() However, in our case, we want to offset the start of the gradient by 45° in the clockwise direction and afterwards make every one of the four shades occupy a quarter (25%) of the available space around the midpoint of our square box. Highlighting the pattern’s cellsīy default, conic gradients start from 12 o’clock and go clockwise. In this case, it’s pretty obvious we have square boxes and where their limits are, but it’s a really useful technique for more complex patterns. What I like to do when coding repeating patterns is draw equidistant vertical and horizontal lines delimiting the rectangular boxes defined by the background-size. Using conic-gradient(), we can now get the same result in a much simpler manner, with a single background layer instead of four! So don’t worry if you don’t understand how those gradients manage to create the pyramid pattern because, one, it is complicated and, two, you don’t even need to understand that! It took me a while to get it, even though gradients are one of the CSS features I’m most comfortable with. It’s not easy to just look at this and understand how it all adds up to give us the pyramid pattern. That’s quite a bit of CSS and perhaps even a bit intimidating. The pattern above uses four linear gradients: background: So let’s take a few linear-gradient() patterns from the gallery created by Lea Verou about a decade ago and see how we can now simplify them with conic-gradient! Pyramid The pyramid pattern One thing I particularly like about conic gradients is just how much they can simplify background patterns. While some of the demos in this article work just fine when using a polyfill, some use CSS variables inside the conic gradient and therefore require native support for this feature. With that enabled, now we can test our CSS including conic gradients in Firefox as well. Starting with Firefox 75, released on the April 7, we can go to about:config, look for the flag and set its value to true (it’s false by default and all it takes to switch is double-clicking it). For those who have missed the big news, Firefox now supports conic gradients! ![]()
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Toothpicks were apparent on imaging studies in 14% of the cases. In some cases, toothpicks migrated outside the gastrointestinal tract and were found in the pleura, pericardium, ureter, or bladder. Toothpicks caused perforation most frequently at the duodenum and the sigmoid. In 1979, grain-fed cattle accounted for a quarter of the US’s total beef production, but that number has shot up over the past 40 years to more than 60 today. It can help to boost their energy and stimulate their brain. It is best for the people who have to drive for a longer time and during the night. Truck drivers can chew these sticks to stay active at night and get rid of boredom due to the wooden flavor. The onset of symptoms ranged from <1 day to 15 years. Truckers dip the toothpicks in methamphetamine, cocaine, and amphetamine liquids. ![]() Few patients (12%) remember swallowing a toothpick. Those are from the days of way back and will probably get you popped on a drug test. Most patients (70%) presented with abdominal pain. Truckers tooth picks are toothpicks soaked in substance to keep drivers awake, Some kind of amphetamine. Articles were analyzed for the following outcome variables: presenting complaint, site of injury, recollection of toothpick ingestion, time to presentation, findings from imaging studies, and mortality. We conducted a systematic review of the literature to examine the nature of injuries caused by ingested toothpicks. We describe a case of a patient with left flank pain that was caused by a perforation in the splenic flexure of the colon by a toothpick. ![]() ![]() The shaking earlier in the week turned out to be the foreshocks of the largest earthquake in the nation’s recorded history. In the end, the magnitude-9.0 Tohoku earthquake and subsequent tsunami killed more than eighteen thousand people, devastated northeast Japan, triggered the meltdown at the Fukushima power plant, and cost an estimated two hundred and twenty billion dollars. Thirty minutes after Goldfinger first stepped outside, he watched the tsunami roll in, in real time, on a two-inch screen. One of them pulled out a cell phone and started streaming videos from the Japanese broadcasting station NHK, shot by helicopters that had flown out to sea soon after the shaking started. Almost immediately, though, it became extremely uncool, because Goldfinger and every other seismologist standing outside in Kashiwa knew what was coming. Now, Goldfinger realized as the shaking hit the four-minute mark, the planet was proving the Japanese Cassandra right.įor a moment, that was pretty cool: a real-time revolution in earthquake science. The presentation was met with polite applause and thereafter largely ignored. In 2005, however, at a conference in Hokudan, a Japanese geologist named Yasutaka Ikeda had argued that the nation should expect a magnitude 9.0 in the near future-with catastrophic consequences, because Japan’s famous earthquake-and-tsunami preparedness, including the height of its sea walls, was based on incorrect science. For decades, seismologists had believed that Japan could not experience an earthquake stronger than magnitude 8.4. Oh, shit, Goldfinger thought, although not in dread, at first: in amazement. ![]() ![]() His watch swept past the three-minute mark and kept going. He thought better of it, and lurched away. The base was lurching, too, back and forth a foot at a time, digging a trench in the yard. The building itself was base-isolated, a seismic-safety technology in which the body of a structure rests on movable bearings rather than directly on its foundation. The flagpole atop the building he and his colleagues had just vacated was whipping through an arc of forty degrees. The trees, still hung with the previous autumn’s dead leaves, were making a strange rattling sound. It was, Goldfinger thought, like driving through rocky terrain in a vehicle with no shocks, if both the vehicle and the terrain were also on a raft in high seas. The earth snapped and popped and rippled. Nor, from the feel of it, was there ground on the ground. There was a chill in the air, and snow flurries, but no snow on the ground. At a minute and a half, everyone in the room got up and went outside. Goldfinger, who is tall and solidly built, thought, No way am I crouching under one of those for cover. The seats in the conference room were small plastic desks with wheels. Then it ticked past the sixty-second mark, making it longer than the others that week. The earthquake was not particularly strong. The speaker at the lectern was wondering if he should carry on with his talk. The conference was wrapping up for the day. When the time for a journey to Brazil is right (which is now, for US travelers who no longer need a visa for a visit), you’ll see that an authentic culinary experience undoubtedly involve cassava.When Goldfinger looked at his watch, it was quarter to three. Nutritionally dense and easily adaptable, cassava has played a large role in diets across tropical countries. ![]() It can be sprinkled on other foods as seasoning, or it can be the star of the dish.īe it a spontaneous trip to Brazil for some beachfront cassava fries or a visit to a tropical restaurant, you will not be disappointed with the flavors you discover. Cassava is often boiled, fried, or toasted, and it’s served both savory and sweet. Removing the poison can be done by peeling the cassava, then soaking, cooking, or fermenting it to eliminate risks.Ĭassava is not especially appealing by purely physical characteristics, but the flavors that lie under its thick skin come alive through a number of versatile preparations. Proper preparation is key as cassava contains the poison cyanide to protect it against parasites and diseases. It’s carb-heavy and nutritious, and it’s the third-largest source of carbohydrates in the world for humans. Cassava has many benefits it’s highly adaptable and can grow in drought regions. ![]() ![]() You have now created your account How To Refer & Earn In Master Teen Patti If you download from the link given below by us, then you will get a bonus of Rs.30.Īnd not only this, you can also earn a lifetime bonus of 30% in this app.Ħ. You get Sign-Up Bonus on creating a new account inside this application. 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![]() ![]() Numerals are referred to by name, although 9 is “niner”, which helps to avoid it being confused with 5.Alpha, Bravo, Charlie, Delta, Echo, Foxtrot, Golf, Hotel, India, Juliet, Kilo, Lima, Mike, November, Oscar, Papa, Quebec, Romeo, Sierra, Tango, Uniform, Victor, Whiskey, X-ray, Yankee, Zulu.Here is the full radio alphabet, which is technically called the International Radio-Telephony Spelling Alphabet : The words chosen as the internationally accepted phonetic alphabet had to sound distinct from every other word used, and they had to be easy to say in all sorts of languages. Using the radio alphabet call signs, coordinates, addresses, license plates, and passwords can be conveyed with absolute clarity. Depending on how critical the information is, the situation can go from annoying to downright dangerous. This probably becomes far more serious and obvious if you are in the military and the allies you're talking to don’t speak the same native language as you. ![]() Create an alphabet accepted by many countries so that differences in pronunciation and spelling are avoided.Īt times, using phones or two-way radios to communicate, it can be hard to hear the other person if you or they have an uncertain connection.Any miscommunication caused by technical difficulties.The goal was to institute a widely accepted alphabet to overcome two problems: In 1956, NATO and the International Civil Aviation Organization (ICAO) formally adopted the NATO phonetic alphabet (not to be confused with other kinds of phonetic alphabets). These small misunderstandings/misheard words can be especially problematic & recurring when there is any sort of static or distortion on your connection. For example, when spoken aloud, the letters “D” and “B” can be very easily be confused for one another. If you’re trying to communicate an exact address or reference a specific or unique name, it can be challenging to differentiate between letters that sound a lot alike. A significant percentage of these miscommunications are easily remedied by using the radio alphabet. Miscommunication can arise for a variety of reasons, especially when speaking on a telephone or two-way radio where your signal or connection strength may fluctuate reguarly. Now, let's dig a little deeper and learn a bit more information about the radio alphabet and its uses. The Radio Alphabet also helped ensure that the contents of those telephone or radio messages were heard clearly, with very little risk of miscommunication.Įver since the radio alphabet was adopted by the Consultative Committee on International Radio (CCIR) in 1927, it has become a popular and useful tool for anyone that needs to transmit precise messages. This alphabet was created for the specific use of transmitting messages via telephone and/or radio. The Radio Alphabet, also known as the "NATO phonetic alphabet", uses words to represent letters. ![]() ![]() ![]() That said, there are a few key logline components that you should consider from identifying who your main characters are to the stakes at hand. Not all loglines are the same, nor should they be. ![]() With that logline, you can reference it from time to time to keep you on course, like a lighthouse beacon during a foggy night at sea. When writing just to an outline without a succinct logline, it’s easy to get off track from the main idea. As the vessel for your story, allow yourself the space to grow your idea before, during, and after you write it. Yes, your logline may change a half dozen times, but that’s okay! Rewrites are an unavoidable feature of writing. There are many benefits to this practice as it forces you to boil your story down to its most vital components. So, now that we’ve established that it’s a good rule of thumb to write your logline before you write your screenplay, let’s see why. This includes your logline.īlake Snyder, whose infamous book Save The Cat adorns the bookshelves of nearly every screenwriter in Los Angeles, writes how he crafts a logline early on in his writing process to determine if an idea is marketable. Even though it’s never too late to create the resources that you’ll need to market your film, it’s actually a good idea to work on them concurrently with your project. You’ve finished writing your script, so now it’s time for creating marketing assets such as your logline, right? Well, yes and no. And if it’s successful, it will hook the reader while teasing the central conflict of your story. ![]() Your standard logline is 1-2 sentences long and ranges from 25 to 50 words. Instead, your logline should serve as a core concept that seduces your audience to the point where they are compelled to learn more. Some writers try to tell you what happens in their story and miss the bigger picture. Take Ferris Bueller’s Day Off - even the titular character isn’t referenced in the logline: “A high school wise guy is determined to have a day off from school, despite what the Principal thinks of that.” In fact, you typically don’t even want to list their names. You don’t need to stuff every detail of your story into it or overly describe your characters. So, let’s explore the ideal logline formula to entice your readers to request your full screenplay. So, in most cases, your logline will determine if your screenplay is read or simply passed over. Industry professionals are busy and have little time to sift through the countless scripts and query letters they’re sent in a given week or month. Writing an eye-catching logline can spark the interest of producers, agents, investors, and development executives to request your screenplay, and hopefully score you a meeting or career-defining opportunity. With all this in mind, it’s absolutely essential to know how to write a logline. That’s because a logline not only serves as the first glimpse at your subject matter but it also reveals its marketability while showcasing your writing abilities. Your logline is every bit as significant as your screenplay. ![]() ![]() It is important to set up a coordinate system when analyzing projectile motion. This means that while the object is moving up, its velocity in the y-direction decreases at a rate of 9.8m/s every second, and while it is moving down, this velocity increases at a rate of 9.8m/s every second. In the vertical direction, the acceleration is due to gravity and therefore constant and downward at all times. The horizontal motion is simple because the horizontal component of the velocity does not change. Recombine the two motions to find the total displacement and the total velocity at any point along the trajectory.įigure 5.1 shows how we analyze two-dimensional projectile motion by breaking it into two independent one-dimensional motions along the vertical and horizontal axes. ![]() Note that the only common variable between the motions is time, t. Solve for the unknowns in the two separate motions-one horizontal and one vertical. Vertical Motion – Acceleration is due to gravity and therefore constant (a y = 9.8m/s 2 ↓) Horizontal Motion – The x-component of velocity is constant (V x = V 0x = constant) The kinematic equations for horizontal and vertical motion take the following forms: Treat the motion as two independent one-dimensional motions, one horizontal with constant velocity and the other vertical with constant acceleration. Resolve or break the motion into horizontal and vertical components along the x- and y-axes. The following steps are then used to analyze projectile motion: As is customary, we call the horizontal axis the x-axis and the vertical axis the y-axis. This choice of axes is the most sensible because the acceleration due to gravity is vertical-thus, there will be no acceleration along the horizontal axis when air resistance is negligible. ![]() The key to analyzing two-dimensional projectile motion is to break it into two motions, one along the horizontal axis and the other along the vertical. The most important fact to remember here is that motions along perpendicular axes are independent and thus can be analyzed separately. The following simulation shows a ball being projected below horizontal, horizontally, and at angles above the horizontal. In this section, we consider two-dimensional projectile motion, such as that of a football or other object for which air resistance is negligible. The motion of falling objects is a simple one-dimensional type of projectile motion in which there is no horizontal movement. The object is called a projectile, and its path is called its trajectory. ![]() Projectile motion is the motion of an object thrown or projected into the air, subject to only the acceleration of gravity. Last Update: kinematics of projectile motion ![]() ![]() ![]() I’ve already said that I think the way I’ve handled the silver moon relic is a little clunky. If nothing else, I think all of these would be interesting, fun things to receive as a druid.
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